MAKING WAVES

Ocean practice in my sketchbook

In the image above you can see that I’ve been making waves in my sketchbook! Daniel Smith’s Cascade Green and Winsor & Newton’s Indigo are perfect partner’s for painting the sea in watercolour. They are both beautiful colours on their own but also mix together to make a gorgeous dark turquoise shade. 

I didn’t use a pencil sketch for this wave practice. But I did consider before hand where I would need to leave white paper. I also splattered a little masking fluid in the right area to create some sea spray. At the end I also splattered some Winsor & Newton’s Titanium White watercolour for some more sea spray. Dark areas under the wave help to give the wave some depth.

A page from my sketchbook

For this wave practice I used Winsor & Newton’s Indigo with Daniel Smith’s Phthalo Green Blue Shade – they also mix together to make a stunning turquoise shade. Again I considered where I would need to leave white areas before I began. I also splattered some masking fluid for some sea spray before painting. Notice the watermarks at the top of the wave; I created these deliberately to add a sense of movement, a feeling of the wind blowing across the top of the wave. I splattered a little Titanium White for some extra sea spray at the end. Notice too that in both of the waves I have added some very dilute Indigo into the white area to add some volume and movement to the waves.

I absolutely love Winsor & Newton’s Indigo. It’s stunning and very versatile. It will feature in many more seascapes in the future. Both sketchbook pages above illustrate exactly what sketchbooks are for: they are for practicing, experimenting, making a mess, not worrying if it goes a bit wrong, testing colours, learning lessons. They are a vital part of my art learning process!

INSPIRATION

Artists are often asked where they get their inspriration from. Where do I get my inspiration from? The simple answer from me is EVERYWHERE! Inspiration is all around around us every day, we just have to learn to “see” it.

One of my sources of inspiration is my photo archive. I have been a keen digital photographer for well over 20 years and have accumulated hundreds upon hundreds of photos. I’ve been steadily getting prints made which I have then put into A4 sketchbooks, two of which you can see here. The prints in these books are 7″ x 5″ glossy prints. The mussels photo you might recognize as the one on the front page of my website.

My paintings don’t have to be direct copies of my photos necessarily – I can just use specific elements from a photo or combine elements from several photos to create a painting. It might be the colours in a photo that inspire me or perhaps a photo might bring back memories of a place or time that I would like to capture in a painting. It might simply be the subject matter of the photo that inspires me. My photos inspire me in many different ways.

To capture inspiration anywhere, anytime I always carry a camera with me everywhere! Take a look at the photo below…

The Blues ~ some of my earliest watercolour experiments…

The watercolour samples above are among the very earliest watercolour experiments I ever did! I still have them – they are now glued into an old sketchbook with some other early colour and art experiments. Beautiful blue shades – Prussian Blue, Indigo, Cerulean Blue along with Phthalo Turquoise, Lemon Yellow, Payne’s Grey, Sap Green and Burnt Umber – all by Winsor & Newton. I treasure these beautiful little pieces of my art journey.

Where will you find inspiration today?

AMETHYST GENUINE

I have an exciting new addition to my palette:

Amethyst Genuine by Daniel Smith

Amethyst Genuine has been on my “to buy” list for a very long time. I don’t really know why it’s taken me so long to try it. But now I have. And it is simply stunning! It may have just become one of my most favourite watercolour shades. Above you can see that I have swatched it out, as I do with all my new watercolour shades. It wont be evident from the photo but this watercolour shade has a very subtle sparkle to it when viewed in a bright light, which is only to expected as this watercolour is made from genuine amethyst.

I have always loved amethyst and have a piece about the size of my hand. So I decided to do a quick watercolour sketch of it using my new Amethyst Genuine. A genuine amethyst painted with Amethyst Genuine – perfect colour choice… !!

Amethyst – a watercolour sketch

This was just a fairly quick sketch done with Amethyst Genuine and Flint Grey for the grey base of the amethyst. I painted this with no preliminary pencil sketch. This is my first ever attempt at painting amethyst. Painting all those dozens of facets can seem quite daunting at first. I painted each facet, one by one! I started with the palest wash of amethyst genuine first, then a mid tone and last the darkest tones.

My Amethyst

Above is a couple of photos of my amethyst. Apart from the obvious, Daniel Smith’s Amethyst Genuine is a colour I can use for lots of different painting subjects – landscapes, skies, shadows, still life, architecture, florals – it’s uses are endless. It is a little bit expensive but if your budget will cope, I highly recommend trying this stunning watercolour shade!