ABSTRACT LANDSCAPES

“Storm Coming” Abstract Watercolour Seascape

I’m thoroughly enjoying painting the landscapes inspired by Maria Wigge’s online watercolour courses. I’ve given the seascape above a name “Storm Coming”. It was painted on Arches NOT 140 lb paper. The colours I used were Indanthrone Blue and Quinacridone Burnt Orange.

“Beach Layers” Abstract Watercolour Seascape

There seems to be a definite seascape theme developing in my abstract landscapes. I just love being by the sea… ! “Beach Layers” was painted on Arches NOT 140 lb paper ; colours used were Ultramarine Blue and Quinacridone Burnt Orange.

The abstract/loose seascape above was painted on Milford Paper with Indigo and Sepia.

Small abstract landscapes in watercolour

The abstract landscapes above were painted with Indigo and Sepia. This style of painting abstracts taught by Maria Wigge are a joy to create – they’re so much fun and a brilliant way to learn about watercolour techniques and colour.

Cropped!

Above is a selection of bits that I’ve cut out of abstract landscapes that I didn’t like. These will go in a dedicated sketchbook, along with all my landscapes and work created in Maria’s watercolour courses, with notes! These landscapes are addictive too… !

LEARNING FROM MARIA WIGGE

I’m thoroughly enjoying Maria Wigge’s Diving Deeper With Watercolors course! Continuing with getting back to basics, on the course we’ve been encouraged to practice colour mixing. This is something I’ve done a lot of in the past. But I’ve embraced it and done it all over again. By colour mixing I mean mixing a range of colours from different combinations of red, yellow and blue. Maria provided PDF charts for us to fill our with our red, yellow, blue colour combinations. I don’t currently have pictures of mine – I will share those another time. But what I can share now is the two colour charts in the photo above.

Maria strongly encouraged us to create the chart’s above – mixing greys (top right) and mixing greens (bottom left). The greys were mixed from combinations of blues and earth colours. The greens were mixed from just blues and yellows. The colours I used for these charts were all from my studio palette. For this course Maria has simply encouraged us to use the colours we already have – no need to buy new ones! My grey and green colour mixing charts are on the inspiration board in my little home studio, where I can easily see them.

Watercolour Value Charts

Part of Maria’s “Diving Deeper” course is learning about value. This is extremely important and something I know I need to work on. For a while now I’ve felt that some of my paintings are “missing something” and tonal value is part of the problem. Too many light and mid tones and not enough dark tones. So we were encouraged to make tonal value studies. I created the charts in the photo above. I used the colours from my studio palette, plus a few extra just to fill the last sheet of paper up. I started with the darkest tonal value on the right and worked left with lighter tones. These charts are very useful reference.

Maria encouraged us to do the exercise above to help us to understand about the drying time for watercolour. Drying time for watercolour is never going to be an exact science! So many different factors affect the drying time – temperature, humidity, being indoors, outdoors, how much water/paint you use etc. For the exercise above I had my colour ready mixed, so I used the same paint for each sample – it was a creamy consistency. In this case I used Payne’s Grey. I wet the paper completely. Starting on the left, with a brush I placed a blob of paint, about the size of a penny, on to the wet paper and then waited for 40 seconds. Then I did the same again. So each of the five blobs of paint above were done 40 seconds apart. Notice how the paint has spread out less with each successive paint blob. The blob on the right didn’t spread at all as the paper had dried by then. Understanding drying times in watercolour is vital. While watercolour is wet it can be worked on, but once it starts to dry it’s better left alone till completely dry. Working on areas of a watercolour that have already started to dry can create messy, muddy marks that can spoil a painting.

In the course we are looking at each aspect of a landscape individually – skies, water, rocks and trees. Then we will hopefully be able to combine them to create beautiful landscapes. Above are a few of my early sky practices for this course – I have much more to do though… ! Something fundamental to this whole course is PRACTICE. LOTS of PRACTICE. And then EVEN MORE PRACTICE…!

I have also now enrolled on to Maria’s Creating Boldly With Watercolour course too. This course is perfect for beginners who are interested in painting landscapes. I’m not a beginner at watercolour. But I absolutely love this course. The abstract landscapes Maria teaches her students to create in this course are an absolute joy to create. They don’t need hours of dedicated time – just 10 -15 minutes each day. Below are a few of my early abstract landscapes:

Monte Amiata Natural Sienna + Ultramarine Blue
Monte Amiata Natural Sienna, Ultramarine Blue + Burnt Umber
Monte Amiata Natural Sienna, Ultramarine Blue + Flint Grey
Indigo (W/N) + New Gamboge (DS)
Indigo + Flint Grey
Phthalo Blue RS + Jane’s Grey
Monte Amiata Natural Sienna, Ultramarine Blue + Jane’s Grey

Creating these little abstract landscapes is addictive… ! They are so much fun to do. There’s no pressure to create a masterpiece. And it’s an awesome way to learn watercolour techniques and explore what watercolour does.

There’s going to be a lot more of these abstract landscapes – you’ve been warned… ! Happy painting…!

LANDSCAPES, COLOUR PLAY & LEARNING

Over the past few weeks I have been busy with my watercolours. My life is very different this year; I’ve had to embrace new challenges but also some lovely new opportunities too. In January, I gave up my job to become a full time carer for my beautiful mum. It is definitely a challenge, but one that I’m more than happy to take on. But on the plus side my lovely mum has allowed me to set up a little make-shift studio in her conservatory, so I can snatch moments of time here and there to paint. Happy days!

Semi Abstract Ink Landscape

Above is a semi abstract landscape created with ink on Baohong Masters’ Choice watercolour paper. I used Indian Ink – sepia, and Drawing Ink – blue. I’ve also been doing a series of colour experiments. Below is a couple of examples.

Both of the examples above were just me playing with colours, but I can see hints of abstract landscapes in both of them. The top one is just Indigo and the one underneath is Indigo and Undersea Green. Both these examples will go into my sketchbook, with notes of course.

I’ve also done some simple landscape practice…

Indigo Landscape
Seascape – Ultramarine Blue + Burnt Sienna

Last of all, the really exciting news I wanted to share with you is that I have enrolled in Maria Wigge’s Diving Deeper Into Watercolor course. I’m really very excited about this. Maria has a website – https://www.mariawigge.com/ and you can also find her on Instagram – @mariawiggeart. Maria’s art is stunningly beautiful and I am eager to learn as much as I can from her about watercolour landscapes.

In the first part of the course we’re getting back to basics to begin with. We’ve been encouraged to properly get to know the colours we have in our palette. I already firmly believe that this is very important. I have 31 colours in my studio palette at the moment and I know them reasonably well already, but there’s always room for improvement, isn’t there? So I downloaded the sheets Maria provided and began filling them out…

The charts above are an extremely useful reference and I will keep these within easy reach of my desk, so I can refer to them when needed. I love seeing all my colours swatched out like this, it’s made me fall in love with them all over again! I have 11 sheets of colours above and it has taken me a number of hours to create them. But it is worth putting in the time to do this. Over time, I will do this also for the colours in my Secondary Palette too… which will take me many hours, but I will do it.

I will share more of my personal course work in the weeks/months ahead. But I will, of course, NOT share any direct content from the course. You can find out more about this course on Maria’s website. If you are interested in enrolling – do it straight away – enrolment is only open for a very limited time!

Finally one last photo…

Me creating a watercolour mess in my mum’s conservatory… !

That’s all for now, happy painting!